March 2012 events

Feb 29th Claire Doherty
'The Event of Situation: Contemporary Art, Place and Time'

A talk given at Glasgow School of Art Friday Event, Feb 2009

March 7th  Art Clay

http://web.me.com/arthurclay/Art_Clay/Home.html

The artist Art Clay is a specialist in the performance of self created works with the use of intermedia and has appeared at international festivals, on radio and television television in Europe, Asia & North America. Recent artwork focus on performative works using mobile device and installation works that involve the public directly with "play". He has received awards for sound works, performance, theatre, and new media art. He has taught media and interactive arts at various Art Schools and Universities in Europe, North America, and Asia.

March 14th Lys Hansen and Kraig Wilson

http://www.dundee.ac.uk/djcad/exhibitions/exhibitions/drawing-breath/

Drawing Breath, the second phase of Cooper Gallery’s Materiality & Metaphysics Series, presents drawings, photographs and video works by the influential Scottish painter Lys Hansen and the up-and-coming Teesside based artist Kraig Wilson, whose works draw attention to the haunting encounter between the mind and the world.

The exhibition choreographs a body of raw, potent and astonishing works from two generations. Interrogating what appears abstract, but which is the root of daily experience; the reflection upon materiality and metaphysics present in Hansen and Wilson’s artistic explorations, echoes the conversations generated in the juxtaposition of their works.

March 21^st Susan and Alexander Maris

http://www.inglebygallery.com/artists/alexander-susan-maris/

Glasgow-based Alexander & Susan Maris studied at Glasgow School of Art (1977-81) and the Royal College of Art (1985-87). They describe themselves as ‘Post-Urban’ artists, and have been collaborating as such since 1990, and in the tradition of Joseph Beuys, view their entire lives as a continuous work of art. They are currently working on a digitally archived reforestation project for Rannoch Moor, which anticipates the eventual reintroduction of the European Wolf, Lynx and Black Bear into the Scottish Highlands.

Recent exhibitions include: The Pursuit of Fidelity (a retrospective), Stills, Edinburgh (2010); There is no road (the road is made by walking) curated by Steven Bode, LABoral Centro de Arte y Creación Industrial, Gijon, Spain (2009); Sometimes Making Something Leads to Nothing, Ingleby Gallery, Edinburgh (2009); Waterlog, Norwich Castle Museum & Art Gallery (2006), and RISK at CCA, Glasgow (2005).

March 28^th  Scott Myles

This is the first major UK solo show for the Dundee born and educated artist Scott Myles, marking 15 years since he graduated from Duncan of Jordanstone College of Art and Design. This Production features an exciting mix of new works including an expansive site-specific installation, new sculpture and prints made in the DCA Print Studio.

Displaced Façade (for DCA) is a dramatic new large-scale installation made from bricks that references architecture and personal memory. While living in Dundee in the 1990s, Myles regularly skateboarded in the then derelict building that came to be re-developed into DCA. Known locally as ‘The Factory’, the abandoned building was used as an unofficial skate-park before it was acquired for re-development in 1995 and the bare brick walls were subsequently clad in preparation for the building’s transformation into today’s art centre. Displaced Façade (for DCA) is realised with the generous support of Ibstock Brick Ltd.

Alongside this ambitious installation will be a number of other recent pieces including Analysis (Mirror) a new sculpture consisting of two mirrored bus shelters upturned one upon the other.

http://www.dca.org.uk/whats-on/exhibitions/this-production.html

http://www.frieze.com/issue/article/scott_myles/

FEBRUARY SCREENINGS: at D'Arcy Thompson Lecture Theatre, 11am Wednesdays

FEBRUARY 1^{st:     screening}
Actor and director Peter Capaldi meets artist and playwright John Byrne at Glasgow School of Art, where both were once students.

They talk about the artistic paths they have each followed. A conversation that takes in the work of John's 1960s alter-ego Patrick and his acclaimed dramas The Slab Boys trilogy and Tutti Frutti, as well as Peter's journey from playing the fresh-faced youth of Local Hero in 1983 to the foul-mouthed Malcolm Tucker in The Thick of It.

Followed by an Artworks Scotland feature on Steven Campbell, the greatest of the new Glasgow painters of the late 20^th century.

February 8^{th audio podcast and discussion}

Scenes from a marriage: art and theory

A panel discussion from Frieze Art fair.

Since the 1980s, when buzzwords like ‘semiotics’ were prevalent in the art world, theory has played an important role in the interpretation, and making, of art. Yet, after all these years, has contemporary art really influenced the way philosophers think? And is theory still relevant to today’s artists?

• Simon Critchley (Chair & Professor of Philosophy at The New School for Social Research, New York)
• Robert Storr (Artist, Critic, Curator and Dean of Yale School of Art)
• Barbara Bloom (Artist)
• Chair: Jörg Heiser (Co-editor, frieze)

Available to download at 

http://www.friezefoundation.org/talks/detail/scenes_from_a_marriage_have_art_and_theory_drifted_apart/

Listening to this in advance would be helpful, enabling re-listening together followed by discussion on the day.

February 15^th screening

Helen Chadwick
Until her unexpected death in 1996, Helen Chadwick was amongst the most sparkling, provocative and distinctive of artists. Her sensual and rigorously intellectual works explore desire, sexuality and the body.

Produced alongside a major retrospective exhibition, organised by London's Barbican Art Gallery, this film provides a rare opportunity to to reflect on her art. Important installations are featured, such as Ego Geometria Sum, which uses photographs of her own naked body, and the Baroque fantasy The Oval Court, as well as more controversial pieces, including Cacao, a fountain of hot bubbling chocolate, and the Piss Flowers, sculptures made by casting the holes left after urinating in snow.

Louise Hopkins
short film from the Fruitmarket Gallery show
“Freedom of Information drawings paintings 1996—2005”
Hopkins rarely makes work on blank surfaces, choosing rather to work on supports which already contain information, turning that information into a painting by repainting and hence transforming it. She re-works something familiar and legible, making deliberate adjustments to the printed matter, forcing the viewer to look closely and re-consider the existing marks alongside the additions. 

February 22^nd screening

Claire Doherty
'The Event of Situation: Contemporary Art, Place and Time'
A talk given at Glasgow School of Art Friday Event, Feb 2009
In 2007, the term 'situation-specific' emerged in critical appraisals of international scattered-site commissions such as Sculpture Project Münster, Germany, and in consideration of works such as Pawel Althamer's Real Time Movie, a performative intervention dispersed across different localities and times. Drawing on trans-disciplinary notions of place, time and locality, Claire Doherty will consider how our understanding of situation has developed from the Situationist intervention to dispersed events and interventions in public space, to offer a new interpretation of situation-specificity and the artwork as event.

Claire Doherty is a curator and writer and Director of Situations, a research and commissioning programme at the University of the West of England, Bristol. Over the past 13 years, she has investigated new forms of curatorial practice beyond conventional exhibition models at institutions such as Ikon Gallery, Birmingham, Spike Island, Bristol and FACT, Liverpool. Situations has expanded since its inception in 2003 to include a range of publishing projects, international lectures, events, and off-site commissions by artists including Phil Collins, Nathan Coley, Susan Hiller, Roman Ondak, Joao Penalva and Ivan & Heather Morison.

A wide range of online videos can be browsed at http://www.gsa.ac.uk/life/gsa-events/archive/

25th January- Visual Research centre, DCA

25^th January 11am “Paul Virilio and the Aesthetics of Disappearance”

An introduction to this important thinker (also curator and photographer) by John Armitage.

 THIS EVENT WILL TAKE PLACE IN CENTRESPACE, in THE VISUAL RESEARCH CENTRE, lower level DCA. This is to coincide with the screening week of “Atom Town: life after technology.”

This illustrated lecture examines his contribution to the debates over contemporary aesthetics by considering one of his most powerful texts, The Aesthetics of Disappearance (2009a). It explains the importance of the argument of this book to afford an entry point into it for uninitiated English-speaking readers. The lecture then surveys the ramifications of Virilio’s study for theorizing and practicing media in the present period.

The theme of the book is the development and modern-day condition of human perception in the world’s advanced cultures. Virilio’s text is therefore about how diverse ways of perceiving and coping with the realms of photography and technology, science, and cinema are appreciated and incorporated into postmodern culture.

Perhaps the principal claim of the text is its description of the aesthetics of disappearance as an “irresistible project and projection toward a technical beyond” (Virilio 2009a: 103). Before presenting an explanation of what Virilio means when he employs concepts such as “aesthetics” or the “technical beyond,” it is vital to grasp how this assertion stems from The Aesthetics of Disappearance in its entirety. Consequently, the purpose of this lecture is to offer a foundation for an appreciation of what he means by defining the aesthetics of disappearance in this way.

     Professor John Armitage is Associate Dean and Head of the Department of Media at Northumbria University, UK. He specializes in the cultural and media theory of Paul Virilio, the French contemporary philosopher and ‘critic of the art of technology’. Professor Armitage is the founder and co-editor, with Ryan Bishop and Douglas Kellner, of the Duke University Press journal Cultural Politics and the editor and author Paul Virilio: From Modernism to Hypermodernism and Beyond (2000), Virilio Live: Selected Interviews (2001), Virilio Now: Current Perspectives in Virilo Studies (2011), Virilio and the Media (2012), The Virilio Dictionary (2012), and Virilio and Visual Culture (2012).

Virilio books are available in the university library.

Particularly recommended:

War and Cinema

Open Skies

The Information Bomb

Crepuscular Dawn

The Aesthetics of Disappearance.

 

Paul Virilio : Unknown Quantity. Exhibition curated by PV

Atomtown: life after technology WEBSITE

JANUARY 2012 SPEAKERS PROGRAMME EVENTS

18^th January, 11a.m. Jane and Louise Wilson. D’Arcy Thompson  Lecture Theatre, Tower Building, Perth Road.

To coincide with their new show at DCA, we are very pleased to have Jane and Louise Wilson speaking about their practice. Louise graduated from DJCAD in 1989, Jane from Newcastle Polytechnic. They then studied together at Goldsmiths. Their joint work investigates institutional spaces, power relations, and tries out strategies to re-invigorate modernist optimism. They are Turner Prize nominees and among the most exciting contemporary artists of now.

FURTHER INFO

artists gallery website

podcast interview with Andrew Graham-Dixon

2003 article by Brian Dillon

recent show- upcoming at DCA

25^th January 11am “Paul Virilio and the Aesthetics of Disappearance”

An introduction to this important thinker (also curator and photographer) by John Armitage.

 THIS EVENT WILL TAKE PLACE IN CENTRESPACE, in THE VISUAL RESEARCH CENTRE, lower level DCA. This is to coincide with the screening week of “Atom Town: life after technology.”

This illustrated lecture examines his contribution to the debates over contemporary aesthetics by considering one of his most powerful texts, The Aesthetics of Disappearance (2009a). It explains the importance of the argument of this book to afford an entry point into it for uninitiated English-speaking readers. The lecture then surveys the ramifications of Virilio’s study for theorizing and practicing media in the present period.

The theme of the book is the development and modern-day condition of human perception in the world’s advanced cultures. Virilio’s text is therefore about how diverse ways of perceiving and coping with the realms of photography and technology, science, and cinema are appreciated and incorporated into postmodern culture.

Perhaps the principal claim of the text is its description of the aesthetics of disappearance as an “irresistible project and projection toward a technical beyond” (Virilio 2009a: 103). Before presenting an explanation of what Virilio means when he employs concepts such as “aesthetics” or the “technical beyond,” it is vital to grasp how this assertion stems from The Aesthetics of Disappearance in its entirety. Consequently, the purpose of this lecture is to offer a foundation for an appreciation of what he means by defining the aesthetics of disappearance in this way.

     Professor John Armitage is Associate Dean and Head of the Department of Media at Northumbria University, UK. He specializes in the cultural and media theory of Paul Virilio, the French contemporary philosopher and ‘critic of the art of technology’. Professor Armitage is the founder and co-editor, with Ryan Bishop and Douglas Kellner, of the Duke University Press journal Cultural Politics and the editor and author Paul Virilio: From Modernism to Hypermodernism and Beyond (2000), Virilio Live: Selected Interviews (2001), Virilio Now: Current Perspectives in Virilo Studies (2011), Virilio and the Media (2012), The Virilio Dictionary (2012), and Virilio and Visual Culture (2012).

Virilio books are available in the university library.

Particularly recommended:

War and Cinema

Open Skies

The Information Bomb

Crepuscular Dawn

The Aesthetics of Disappearance.

 

Paul Virilio : Unknown Quantity. Exhibition curated by PV

Atomtown: life after technology WEBSITE

Torsten Lauschmann: alchemist of the visible 23rd November

Pleasure!! Wonder!! Beauty!! Thrills!!

http://www.torstenlauschmann.com/

This is the last Speakers Event this year; wisdom, prudence and your innate desire for visual delight dictate that your presence will be most worthwhile.

Der Lauf der Dinge / The way things go: Wednesday 16th November

Fischli and Weiss play consequences; sculptural, comical, amazing and amusing.

"like a Hitchcock movie acted by objects instead of people"
Also shorts by Pipilotti Rist.


Those wild Swiss!
next week TORSTEN LAUSCHMANN LIVE

ELLIE HARRISON 9th Nov

Ellie Harrison’s practice can be seen as emerging from her ongoing attempt to strike-a-balance between the competing roles of ‘artist’, ‘activist’ and ‘administrator’.
Her work takes a variety of forms including performance spectacles, interactive installations, collaborative projects, political campaigns, media interventions, lectures, websites and coach trips.

She uses skills and strategies drawn from each of these perspectives to create playful and engaging work, in-and-out of art world contexts, which aims to expose and challenge the systems which control and rule over our lives, be they political, ethical, social or economic.

  The image is from Fireworks Display 26 June 2010 - 'a one-woman attempt to re-enact a chronology of ‘the history of revolution’ over the course of the last 360 years via the medium of pyrotechnics.'


Ellie Harrison’s practice can be seen at www.ellieharrison.com (which links through to all the other online stuff if you investigate far enough)


+ Vimeo page for video documentation
www.vimeo.com/ellieharrison

+ Facebook page for recent news / pics
www.facebook.com/blatantselfpromotion

This is my MFA thesis, which I might talk about a bit:
www.ellieharrison.com/essays/trajectories/


Ellie Harrison was born in London in 1979. She lives and works in Glasgow. In 2009 she founded the Bring Back British Rail campaign and in 2010 she became the first individual artist to openly publicise an Environmental Policy on her website.

She is the secretary of The Artists’ Bond - established in 2011 as the successor to the Artists’ Lottery Syndicate - and is a full member of the Scottish Artists Union.

www.ellieharrison.comging from her ongoing attempt to strike-a-balance between the competing roles of ‘artist’, ‘activist’ and ‘administrator’.

She uses skills and strategies drawn from each of these perspectives to create playful and engaging work, in-and-out of art world contexts, which aims to expose and challenge the systems which control and rule over our lives, be they political, ethical, social or economic.

Her work takes a variety of forms including performance spectacles, interactive installations, collaborative projects, political campaigns, media interventions, lectures, websites and coach trips.

Ellie Harrison was born in London in 1979. She lives and works in Glasgow. In 2009 she founded the Bring Back British Rail campaign and in 2010 she became the first individual artist to openly publicise an Environmental Policy on her website.

She is the secretary of The Artists’ Bond - established in 2011 as the successor to the Artists’ Lottery Syndicate - and is a full member of the Scottish Artists Union.

www.ellieharrison.com